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	<title>Comments on: Scientific Observer</title>
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	<link>http://jillianmcdonald.net/blog/2008/05/13/scientific-observer/</link>
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	<pubDate>Tue, 07 Feb 2012 18:31:29 +0000</pubDate>
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		<title>By: Jillian Mcdonald Blog &#187; Blog Archive &#187; Say Something Meaningful</title>
		<link>http://jillianmcdonald.net/blog/2008/05/13/scientific-observer/#comment-312</link>
		<dc:creator>Jillian Mcdonald Blog &#187; Blog Archive &#187; Say Something Meaningful</dc:creator>
		<pubDate>Mon, 23 Jun 2008 19:27:36 +0000</pubDate>
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		<description>[...] Justine Cooper, whom I blogged about before, has a great piece called Havidol which is itself an ad campaign for a fictional drug using the [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] Justine Cooper, whom I blogged about before, has a great piece called Havidol which is itself an ad campaign for a fictional drug using the [&#8230;]</p>
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		<title>By: A.M. Richard</title>
		<link>http://jillianmcdonald.net/blog/2008/05/13/scientific-observer/#comment-292</link>
		<dc:creator>A.M. Richard</dc:creator>
		<pubDate>Wed, 14 May 2008 02:56:06 +0000</pubDate>
		<guid isPermaLink="false">http://jillianmcdonald.net/blog/?p=68#comment-292</guid>
		<description>The Cooper photographs using the medical mannequins as props are also reminescent of Hans Bellmer's desconstructed/reconstructed doll photographs from the 1930s/40s although used in a different context. Both are endebted to a surrealistic lineage and are effectively sensational. The medical doll faces are also eerily similar to Morton Bartlett's sculpted figures (another follower of Bellmer). Ms. Cooper adds a rich and multi-layered chapter to the subject of doll iconography.</description>
		<content:encoded><![CDATA[<p>The Cooper photographs using the medical mannequins as props are also reminescent of Hans Bellmer&#8217;s desconstructed/reconstructed doll photographs from the 1930s/40s although used in a different context. Both are endebted to a surrealistic lineage and are effectively sensational. The medical doll faces are also eerily similar to Morton Bartlett&#8217;s sculpted figures (another follower of Bellmer). Ms. Cooper adds a rich and multi-layered chapter to the subject of doll iconography.</p>
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